The tapestry tells the story in pictures of scenes occurring from 1064 to 1066 of William, Duke of Normandy (William the Conqueror). It represents early "narrative art" intended for an audience that was mostly illiterate depicting the invasion. Bryan Talbot referred to the tapestry as "the first known British comic strip". There have been many knock-offs, including this New Yorker cover by Rea Irvin in 1944.
July 15, 1944 |
These are pictures I took of the tapestry. They do not begin to capture the story.
Down the street from the museum housing the tapestry sits the Cathedral of Notre-Dame in Bayeux. The tapestry resided here for many centuries prior to finding its way to its new home in the museum built to house it.
There is one particular scene fairly early in the tapestry sequence of William and Harold on a quest. While on their quest, Harold is depicted rescuing two soldiers from the quicksand at Mont Saint Michel, seen here:
For more on Mont Saint Michel, see Normandy (part 4).
Thanks for all the info Eric. So interesting.
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